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Manfred Honeck is widely regarded as one of the world's leading conductors, celebrated for his distinctive and revelatory interpretations that have garnered international acclaim. As Music Director of the Pittsburgh Symphony Orchestra, where he is now in his 19th season, he continues to shape the orchestra’s artistic identity with a deep sense of purpose and passion. His tenure, recently extended through the 2032–2033 season, has seen the orchestra flourish artistically while strengthening its role as a cultural ambassador for the city of Pittsburgh. Celebrated at home and abroad, the orchestra has appeared at Carnegie Hall and Lincoln Center in New York, as well as at major venues throughout Europe and prestigious festivals such as the BBC Proms, Salzburg Festival, Musikfest Berlin, Lucerne Festival, Rheingau Music Festival, and Grafenegg Festival.

Manfred Honeck's acclaimed Pittsburgh tenure is reflected in an extensive discography on the Reference Recordings label, featuring works by Beethoven, Brahms, Bruckner, Shostakovich, Strauss, Tchaikovsky, and others. These recordings have received widespread critical acclaim and multiple GRAMMY® nominations, including a win for "Best Orchestral Performance" in 2018. In August 2025, he and the orchestra released Requiem: Mozart’s Death in Words and Music, an original concept reimagining a funeral mass for Mozart, combining the composer’s Requiem with Gregorian chant, poetry, and other choral works by Mozart. 

Born in Austria, Manfred Honeck completed his musical training at the University of Music and Performing Arts Vienna. His years as a violist with the Vienna Philharmonic and Vienna State Opera Orchestra have had a lasting influence on his work as a conductor, and his approach to interpretation is rooted in a desire to venture deep beneath the surface of the music. He began his conducting career as an assistant to Claudio Abbado and as director of the Vienna Jeunesse Orchestra. Subsequently, he was engaged by the Zurich Opera House, where he was awarded the European Conducting Prize in 1993. He has since served as one of three principal conductors of the MDR Symphony Orchestra Leipzig, as Music Director of the Norwegian National Opera, Principal Guest Conductor of the Oslo Philharmonic Orchestra and Czech Philharmonic Orchestra, and Chief Conductor of the Swedish Radio Symphony Orchestra in Stockholm. In 2023, he was appointed Honorary Conductor by the Bamberg Symphony Orchestra, following decades of close collaboration.  

Manfred Honeck also enjoys a distinguished profile as an opera conductor. In his four seasons as General Music Director of the Staatsoper Stuttgart, he conducted premieres of operas by Berlioz, Mozart, Poulenc, Strauss, Verdi, and Wagner. He has also appeared as a guest conductor at major institutions such as Semperoper Dresden, Komische Oper Berlin, the Royal Opera of Copenhagen, and the Salzburg Festival. In 2020, Beethoven’s anniversary year, he conducted a new staging of Fidelio (1806 version) at the Theater an der Wien. In autumn 2022, he made his much-acclaimed debut at the Metropolitan Opera in New York, leading a revival of Mozart’s Idomeneo. Beyond the podium, Manfred Honeck has created a series of symphonic suites, including Janáček’s Jenůfa, Strauss’s Elektra, Dvořák’s Rusalka, as well as Puccini's Turandot, which he regularly performs around the globe. The most recent arrangement, based on Strauss's Arabella, received its premiere with the Pittsburgh Symphony Orchestra in 2025.

As a guest conductor, Manfred Honeck appears regularly with many of the world's leading orchestras, including the Bavarian Radio Symphony Orchestra, the Berlin Philharmonic, the Gewandhausorchester Leipzig, the Staatskapelle Dresden, the Tonhalle-Orchester Zürich, the Royal Concertgebouw Orchestra, the Philharmonia Orchestra London, the Orchestre de Paris, and the Accademia Nazionale di Santa Cecilia. In the United States, he has conducted many of the nation’s most distinguished ensembles. He has also been Artistic Director of the International Wolfegg Concerts in Germany for over three decades. 

In summer 2026, he returns to the Salzburg Festival to conduct Ariadne auf Naxos with the Vienna Philharmonic. He will also lead the Pittsburgh Symphony Orchestra on a European festival tour, with appearances in Salzburg, Lucerne, Amsterdam, Hamburg, and at the opening concert of the season at the Vienna Konzerthaus. In the 2026/27 season, he will commemorate the 200th anniversary of Ludwig van Beethoven’s death with special programs and a new commission from Jüri Reinvere, to be presented worldwide.

Manfred Honeck holds honorary doctorates from several universities in the United States and has been awarded the honorary title of Professor by the Austrian Federal President. In 2018, the jury of the International Classical Music Awards declared him "Artist of the Year." In 2026, he received the Julio Kilenyi Medal from the American Bruckner Society, an honor bestowed on distinguished interpreters of Bruckner.

Spanish violinist María Dueñas beguiles audiences with the breathtaking array of colours she draws from her instrument. Her technical prowess, artistic maturity and bold interpretations have inspired rave reviews, captivated competition juries, and secured invitations to appear with many of the world’s leading orchestras and conductors.  

Born in Granada in 2002, María Dueñas fell in love with classical music via the recordings her parents played constantly at home and the concerts she attended in her native city. She started playing the violin at six and enrolled at her hometown's conservatory of music a year later. In 2014 she won a scholarship abroad sponsored by Juventudes Musicales de Madrid as well as the Humboldt Foundation's Wardwell Stipend and at first moved to Dresden to study at the Carl Maria von Weber Academy of Music. There she was soon discovered by conductor Marek Janowski, at whose invitation she later made her debut with the San Francisco Symphony Orchestra. Since 2016 she has been studying with the renowned violin pedagogue Boris Kuschnir at the Music and Arts University of the City of Vienna.  

The Frankfurter Allgemeine Zeitung has hailed the “freedom and joyous individuality” of her playing, while The Strad described her rising-star status as “seemingly unstoppable”, after she won a whole series of international violin competitions. Not least among these was her livestreamed run to victory at the 2021 Menuhin Violin Competition, at which she won not only the first prize and audience prize, but also a global online following. Her competition victories began with the 2017 Zhuhai International Mozart Competition and 2018 Vladimir Spivakov International Violin Competition. In addition to her success at the Menuhin Competition, 2021 saw her win first prize at the Getting to Carnegie Competition, the Grand Prize at the Viktor Tretyakov International Violin Competition, and the career advancement prize at the Rheingau Music Festival. She was also named as a BBC Radio 3 New Generation Artist 2021-23. In April 2023, she was awarded the prestigious Premio Princesa de Girona de las Artes y las Letras in her native Spain. 

In 2022, María Dueñas signed an exclusive contract with Deutsche Grammophon. Her spectacular debut album, entitled Beethoven and Beyond, recorded live at the Vienna Musikverein with the Wiener Symphoniker and Manfred Honeck, was released in May 2023. It features Beethoven's violin concerto, for which she has composed her own cadenzas. It also includes five showpieces for violin and orchestra by Kreisler, Saint-Saëns, Spohr, Wieniawski and Ysaÿe and the cadenzas written by the same composers for the first movement of the Beethoven concerto.  

The multi-faceted artist became fond of composing after she started writing cadenzas for Mozart´s violin concertos. A solo piano piece, Farewell, was awarded a prize in the 2016 “Von fremden Ländern und Menschen” Competition for Young Composers. Recorded by Evgeny Sinaiski, it was also transformed into a music video. Her most recent composition, Homage 1770 for solo violin, was released this summer by Deutsche Grammophon. 

A dedicated chamber musician, María Dueñas has performed with baritone Matthias Goerne and pianist Itamar Golan, among other artists. She has also premiered several works written for and dedicated to her by the late Catalan composer Jordi Cervelló, including the Milstein Caprice. 

She has meanwhile performed with many of the world's leading orchestras, including the Pittsburgh Symphony Orchestra, Philadelphia Orchestra, San Francisco Symphony, Oslo Philharmonic, Dresden Philharmonic, Staatskapelle Berlin, NDR Elbphilharmonie Orchester and BBC Symphony Orchestra under conductors such as Manfred Honeck, Herbert Blomstedt, Marek Janowski, Yannick Nézet-Séguin, Gustavo Gimeno, Michael Sanderling, Alain Altinoglu and Alan Gilbert. At the Évian Festival 2023, she played together with Renaud Capuçon. María Dueñas maintains a close relationship with the Los Angeles Philharmonic and Gustavo Dudamel. After her 2021 debut at the Hollywood Bowl, they joined forces again the following year for the world premiere of Gabriela Ortiz’s violin concerto Altar de cuerda, of which she is the dedicatee, causing an international sensation and followed by sold-out performances at Carnegie Hall, in Boston and at the Cervantino Festival in Mexico. In 2024, further concerts will follow in Los Angeles and on tour in Barcelona, Paris and London. 

María Dueñas plays a Nicolò Gagliano, on loan from the German Musical Instrument Fund administered by Deutsche Stiftung Musikleben, and the Stradivari Camposelice of 1710, on generous loan from the Nippon Music Foundation.